Del mene, iz katerega izvirajo avtorske fotografije, živi drugačno življenje. Sam proces, ki pelje do izvedbe, je lahko podoben. Pojavi se neka ideja, navadno me obsede, hočem jo videti; razmišljam, kako bi jo realiziral, kako bi sploh sestavil fotografijo.

In the period before the Second World War until the 1980’s Slovenian and Yugoslavian photography was most significantly designated by solid and strong network of photographic clubs that were the major and often the only stimulation in the development of this media.

»I don’t like photographers. If I would be a painter I would probably say that I don’t like painters. But as it is I feel more sympathy with the painters and their work than towards those who practice photography.«