[ search archives ]Years, numbersRubrikeContributorsBabnik, Jan Rauch, Peter Koltaj, Pavel Brulc, Matjaž Colner, Miha Krese, Meta Berk, Ksenija O'Toole, Sean Gazvoda, Nejc Tomanić, Ilija T. Frelih, Marko Mladenov Kojić, Sanja Vasja Nagy Lieber, Jerca Jevšček, Manca Flusser,Vilém Calvino, Italo Tratnik, Polona Habicht, Dejan Karttunen, Sari Rastenberger, Anna-Kaisa Sitar, Matej Cvetkovič,Tita Vončina, Dejan Adam, Nadja Brumen, Matija Hotko, Iztok Hodalič, Arne Lowe, Paul Kollar, Martin Bizjak, Primož Kapš, Petra Abram, Uroš Pivec, Helena Bravničar, Aleš Lampič, Primož Marolt Janez Chitrakar, Urša Zabel, Igor Nedič, Lilijana Ródenas Gabri Kozjek, Ajda Skočir, Marija Kovšca, Nataša Krečič, Jela Zidar, Marija Vatovec, Matej Benčić, Branka Smriti Nevatia Grafenauer, Petja Puncer, Mojca Bazin, André Tournier, Michael Pucelj, Boštjan Bertoncelj, Maruša Valič, Denis Pogačar, Kaja Fajfar Ivančič, Monika León, Dermis P. Peraica, Ana Pavli, Špela Kal, T. D. Dumitriu, Simona Horvat, Marjan Peraica, AnaPeraica, AnaAna Peraica, Ph.D is a photographer and photography theorist. She is leading her family photo studio Atelier Perajica (founded in 1934) at Peristil in Split, Croatia. She regularly contributes to magazines such as: Afterimage, Leonardo, Eyemazing, Photo Technique, Refoto, Fotografija, Springerin and Pavilion. She is an adjunct professor at RIT (Rochester Institute of Technology). Peraica, AnaSixtieth part of a second for fameThe article addresses the photographic portrait and its (in)ability to communicate identity. The author outlines the transformation of the photographic studio portraiture from the early practice of identity construction to contemporary, semi-automatic reproduction of faces for official documents. Peraica, AnaFear of Unknown and a Wide-angle View of PhotographyInfertile Grounds of Sandra Vitaljić in context of other photographs of killing grounds. |
