Kal, T. D.
The Photographer Emmanuel Guibert (ilustracije), Didier Lefevre (fotografija), Frederic Lémércier (oblikovanje) [not translated]
First Second, 288 strani, 2010.
ISBN-13: 978-1-59643-375-5
ISBN-10: 1-59643-375-2
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Rubrike
Contributors
Babnik, Jan
Rauch, Peter
Koltaj, Pavel
Brulc, Matjaž
Colner, Miha
Krese, Meta
Berk, Ksenija
O'Toole, Sean
Gazvoda, Nejc
Tomanić, Ilija T.
Frelih, Marko
Mladenov Kojić, Sanja
Vasja Nagy
Lieber, Jerca
Jevšček, Manca
Flusser,Vilém
Calvino, Italo
Tratnik, Polona
Habicht, Dejan
Karttunen, Sari
Rastenberger, Anna-Kaisa
Sitar, Matej
Cvetkovič,Tita
Vončina, Dejan
Adam, Nadja
Brumen, Matija
Hotko, Iztok
Hodalič, Arne
Lowe, Paul
Kollar, Martin
Bizjak, Primož
Kapš, Petra
Abram, Uroš
Pivec, Helena
Bravničar, Aleš
Lampič, Primož
Marolt Janez
Chitrakar, Urša
Zabel, Igor
Nedič, Lilijana
Ródenas Gabri
Kozjek, Ajda
Skočir, Marija
Kovšca, Nataša
Krečič, Jela
Zidar, Marija
Vatovec, Matej
Benčić, Branka
Smriti Nevatia
Grafenauer, Petja
Puncer, Mojca
Bazin, André
Tournier, Michael
Pucelj, Boštjan
Bertoncelj, Maruša
Valič, Denis
Pogačar, Kaja
Fajfar Ivančič, Monika
León, Dermis P.
Peraica, Ana
Pavli, Špela
Kal, T. D.
Dumitriu, Simona
Horvat, Marjan
Rauch, Peter
Koltaj, Pavel
Brulc, Matjaž
Colner, Miha
Krese, Meta
Berk, Ksenija
O'Toole, Sean
Gazvoda, Nejc
Tomanić, Ilija T.
Frelih, Marko
Mladenov Kojić, Sanja
Vasja Nagy
Lieber, Jerca
Jevšček, Manca
Flusser,Vilém
Calvino, Italo
Tratnik, Polona
Habicht, Dejan
Karttunen, Sari
Rastenberger, Anna-Kaisa
Sitar, Matej
Cvetkovič,Tita
Vončina, Dejan
Adam, Nadja
Brumen, Matija
Hotko, Iztok
Hodalič, Arne
Lowe, Paul
Kollar, Martin
Bizjak, Primož
Kapš, Petra
Abram, Uroš
Pivec, Helena
Bravničar, Aleš
Lampič, Primož
Marolt Janez
Chitrakar, Urša
Zabel, Igor
Nedič, Lilijana
Ródenas Gabri
Kozjek, Ajda
Skočir, Marija
Kovšca, Nataša
Krečič, Jela
Zidar, Marija
Vatovec, Matej
Benčić, Branka
Smriti Nevatia
Grafenauer, Petja
Puncer, Mojca
Bazin, André
Tournier, Michael
Pucelj, Boštjan
Bertoncelj, Maruša
Valič, Denis
Pogačar, Kaja
Fajfar Ivančič, Monika
León, Dermis P.
Peraica, Ana
Pavli, Špela
Kal, T. D.
Dumitriu, Simona
Horvat, Marjan
47, 48
Kal, T. D.
Mitch Epstein: State of the Union [not translated]
Hatje Cantz, 120 strani, 59 barvnih illustracij, 2010.
ISBN 978-3-7757-2784-6
Kal, T. D.
Photography Degree Zero: Reflections on Roland Barthes’s Camera Lucida [not translated]
(ur. Geoffrey Batchen)
The MIT Press, 304 strani, 2009.
ISBN-10: 9780262013253, ISBN-13: 978-0262013253
Lottie Davies: Spomini in nočne more / Memories and Nightmares [not translated]
Najava razstav v Galeriji Fotografiji
30. avgust 2011–24. september 2011
Koltaj, Pavel
Just Loomis As we are [not translated]
Hatje Cantz, 2010, 120 strani
ISBN 978-3775726368
Krese, Meta
Tin Piernu, fotograf s Tarčmuna [not translated]
Študijski center Nediža, izdalo ZTT EST, 277 strani, 2011.
Uredniki: Roberto del Grande, Alvaro Petricig, Michela Predan
ISBN: 978-88-7174-124-6
Rauch, Peter
Fred Herzog Photographs [not translated]
Hatje Cantz, 192 strani, 98 ilustracij, 2010.
ISBN: 978-3-7757-2811-9
Berk, Ksenija
Claudio Moser Nowhere Near Far Enough [not translated]
Hatje Cantz, 156 strani, 169 ilustracij, 2010.
ISBN 978-3-7757-2737-2
Berk, Ksenija
Ralf Peters Until Today [not translated]
Hatje Cantz, 212 strani, 410 ilustracij, 2010.
ISBN 978-3-7757-2608-5
Pavli, Špela
Beate Gütschow S [not translated]
Hatje Cantz, 72 strani, 34 ilustracij v duotonu, 2009.
ISBN 978-3-7757-2528-6
Brulc, Matjaž
Martin Roemers Relics of the Cold War [not translated]
spremna besedila: H. J. A. Hofland in Nadine Barth
Hatje Cantz, 144 strani, 73 barvnih reprodukcij, 2009.
ISBN 978-3-7757-2534-7
Tomanić, Ilija T.
Uroš Hočevar Estetika reportažne Fotografije [not translated]
Maska, 286 strani, Ljubljana 2010.
ISBN 978-961-6572-21-7-253185792
Tomanić, Ilija T.
Postelja za sedem centov [not translated]
Razstava Fotografija je vredna več kot tisoč jeznih besed,
atrij Mestne hiše, Ljubljana, 20. april – 9. maj 2011.
Krese, Meta
Tadej Žnidarčič: Being Gay in Uganda
The photographic series Being Gay in Uganda by photographer Tadej Žnidarčič documents a struggle of the gay community in Uganda, in a country where the conditions are getting harder and harder. The excerpts from interviews of participants alongside photos put the observers in the cruel reality, so common for the photographer’s protagonists.
Brulc, Matjaž
Izkušnje spominjanja Zgodbe s Severa [not translated]
Simon Aeppli, Stephen J. Morgan, Jonathan Olley
kurator: Dejan Sluga
Galerija Photon, Ljubljana, 20. 4. – 27. 5. 2011.
Benčić, Branka
Ivana Tomljenović Meller – Zagrebčanka v Bauhausu [not translated]
Muzej mesta Zagreb, 30. 11. 2010 – 27. 2. 2011.
Peraica, Ana
Fear of Unknown and a Wide-angle View of Photography
Infertile Grounds of Sandra Vitaljić in context of other photographs of killing grounds.
The essay goes deep into the analysis of female photography, taking as the case study photographs of historical battlefields and scaffolds, belonging to the man made world, as recorded by Sandra Vitaljić in her series Infertile grounds.
León, Dermis P.
Leandro Feal: »I don’t like politics but … she likes me, her compañero…«
Leandro’s photography is the pure and hard condition of what is »out there«. It records the total loss of innocence and, in a contradiction, represents an attempt to maintain equal conditions for boys and girls.
Berk, Ksenija
Dangerous Connections between Photography and Terrorism
Connecting any social activities with terrorism is always very problematic, and for several reasons. This connection from the outset requires the definition of what terrorism is.
